Put some content on social media and listen to the feedback. Keep a clear head whenever you're DJ-ing (leave the drinks until later) Don’t create MP3s using your live mixes: Perfect them at home instead. Give yourself a DJ name if you want to catch the eye. Watch the pros at work and look at how they mix.
Step 4: One of the most effective ways to make kick and bass work together is tuning one of them till they work as a team. If possible, it is always best to alter the MIDI of the bass synth, rather than re-pitching an audio file. As some pitch algorithms may introduce undesirable artefacts. Step 5:
Always check the polarity between the snare and the overheads, hi-hat, and bottom snare mic. If you’re not gating your kick drum, check the phase on that too. 3. Get the snare drum frequencies to sit in the mix. The way a snare sounds has a lot to do with its sonic relationships to other mix elements.
The more prominent the l ow-frequency in your sound, the more central you should generally pan it. This tightens up you mix and creates a solid "core" to work from. Sokick drums, basses, and anything below 120Hz should be kept centred. This tip also prevents any problems when your bass region is played back on various systems.
Make sure that your mid frequencies are nice and loud to ensure the bass drum cuts through your mix. 2. USE SATURATION. Saturation is a great technique to add harmonics to a kick drum. You can make a sampled sound stronger by saturating it a little. With saturation – and in some cases distortion – you can make a kick sound grittier and give
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drum and bass mixing tips
